Grencsó István
saxophone, saxophone - alto, flute
Place of Birth
Nyíregyháza
Date of Birth
1956
Orchestra
Web
Saxophonist and flautist István Grencsó is an outstanding figure in Hungarian avant-garde jazz.
His career started in 1979 with the founding of the Masina Jazz Group, but he became more widely known in the 1980s as György Szabados’s partner.
In 1984 he formed Collective, which has been his main vehicle ever since. With this continually changing line-up he has released ten albums, amongst which the most important are Plays Monk (1996), Villa Negra (1997), Black Bread (1999), Seven Songs to the Last Mohicans (2000) and Dream Car (2003).
Grencsó’s repertoire is extremely varied, and as a composer he is considered the master of formal changes. “I always like to search for something exciting,” as he puts it.
As well as experiments in improvised music he has arranged countless jazz standards, and regardless of current trends and fashions has played pop, rock, and ethno music. He also reinterpreted Hungarian dance music of the sixties, chansons, and composed a suite which veers towards classical music. He plays with Kampec Dolores, is a permanent member of the MAKUZ led by György Szabados and of the electronically inclined Budbudas. Recently he has also appeared several times with the Moroccan-rooted Gnawa Trio, his own neobeat group AMA, and has worked with the noise rock band Pozvakowski.
He has played in concerts and recorded with Paul Termos, Peter Kowald, Tobias Delius, Peter Brötzmann and the Noise Orchestra from Russia.
His ars poetica, to think free of convention, is set out in the portrait film Szabad vagyok (I am free) made by Duna TV.
His career started in 1979 with the founding of the Masina Jazz Group, but he became more widely known in the 1980s as György Szabados’s partner.
In 1984 he formed Collective, which has been his main vehicle ever since. With this continually changing line-up he has released ten albums, amongst which the most important are Plays Monk (1996), Villa Negra (1997), Black Bread (1999), Seven Songs to the Last Mohicans (2000) and Dream Car (2003).
Grencsó’s repertoire is extremely varied, and as a composer he is considered the master of formal changes. “I always like to search for something exciting,” as he puts it.
As well as experiments in improvised music he has arranged countless jazz standards, and regardless of current trends and fashions has played pop, rock, and ethno music. He also reinterpreted Hungarian dance music of the sixties, chansons, and composed a suite which veers towards classical music. He plays with Kampec Dolores, is a permanent member of the MAKUZ led by György Szabados and of the electronically inclined Budbudas. Recently he has also appeared several times with the Moroccan-rooted Gnawa Trio, his own neobeat group AMA, and has worked with the noise rock band Pozvakowski.
He has played in concerts and recorded with Paul Termos, Peter Kowald, Tobias Delius, Peter Brötzmann and the Noise Orchestra from Russia.
His ars poetica, to think free of convention, is set out in the portrait film Szabad vagyok (I am free) made by Duna TV.
| Year | Title | Publisher | Code | Remark |
|---|---|---|---|---|
| 1985 | Magánkiadás | Jazz Studium No. 3 (MC) | MC - Bem rakpart, Budapest, 3th May 1985 | |
| 1985 | Magánkiadás | LPD-20001244 | LP - Nis Philharmonic Orchestra Hall, Nis, Yugoslavia, 28. October 1985 | |
| 1987 | Magánkiadás | Jazz Studium No. 6. (MC) | MC | |
| 1987 | Nikad Robom | 008 | cassette (MC) | |
| 1988 | Hungaroton | LP - 10th Jazzhaus Festival, Cologne, 22 April 1988 | ||
| 1989 | Krém | SLPX 37212 | LP | |
| 1989 | Krém | SLPX 37215 | LP | |
| 1990 | Adyton | 002 | LP | |
| 1990 | Libellula | No.1 |
Own LP |
|
| 1990 | Théatre Jel | TJ 4501 | ||
| 1991 |
Sand Music
(Szabados György és a MAKUZ: Homoki zene) |
Hungaroton | Adyton 005 | |
| 1995 |
Grencsó Collectiv: Revival
(Grencsó Kollektíva: Ébredés) |
Pannon Jazz | PJ 1006 | |
| 1995 | Tandem Records | TR-1006 CD | ||
| 1995 | Hungaroton | HCD 31603 | ||
| 1996 | Tandem Records | |||
| 1997 | Fonó Records | FA-033-2 CD |
Own |
|
| 1997 | Mediawave Records | MWR 001 | ||
| 1998 |
Balázs Major: Fate Of Outlaw
(Major Balázs: Betyársors) |
Oktopus Multimédia Intézet | OMI-9801 CD | |
| 1999 |
Live and Live
(Ágoston Trio: Lakni, lakni) |
Periferic Records | BGCD 046 | |
| 1999 |
Grencsó Collective: Black Bread
(Grencsó Kollektíva: Fekete Kenyér) |
KVB Records | KVB 002 | |
| 1999 |
The Secret History of the Events
(Szabados György: Az események titkos története) |
Fonó Records | FA-068-2 | 2 CDs. Also contains the album Sons Turned into Stags first released as: Hungaroton SLPX 37215, 1989, LP |
| 2000 |
Grencsó Collective: Mistery
(Grencsó Kollektíva: Rejtély) |
KVB Records | 0003 | |
| 2003 |
Grencsó Surprise Kollektív: Dream Car
(Grencsó Surprise Kollektív: Dream Car) |
KVB Records | KVB 006 |
Own |
| 2005 | BMC HMIC | BMC PCD 016 | Not for sale - only for promotion / 4 CDs | |
| 2006 | Deep Music | 003 | ||
| 2006 | Deep Music | 003 |
Own |
|
| 2007 | GyőrFree | HCD 347 | ||
| 2009 |
Homespun in Black and White
(Szőttes fekete-fehérben) |
BMC Records | BMC CD 161 |
Own |
| 2011 | BMC Records | BMC CD 181 |
Own |
|
| 2011 | Chameleon Records | CAM 44 | ||
| 2014 | BMC Records | BMC CD 215 |
Own |
|
| 2014 |
Flat
(Síkvidék) |
BMC Records | BMC CD 205 | |
| 2014 | Hunnia Records | HRCD1403 | ||
| 2015 |
Marginal Music
(Rétegzene) |
BMC Records | BMC CD 222 | |
| 2015 |
Dawn
(Derengés) |
Hunnia Records | HRCD1508, SLAMCD565 | |
| 2016 | BMC Records | BMC PCD 033 | ||
| 2016 |
István Grencsó, Bálint Bolcsó: Rattled
(István Grencsó, Bálint Bolcsó: Fejtörés) |
PrePost Records | PPR003 |
Own |
| 2017 |
Trió Kontraszt: From Dyonisian Sound Sparks to the Silence of Passing
(Trió Kontraszt: A dionüszoszi hangszikráktól az elmúlás csöndjéig) |
BMC Records | BMC CD 247 | |
| 2017 |
Things Left at Ebb Tide
(Hátrahagyott dolgok apály idején) |
Hungaroton | HRCD 1607 | |
| 2019 | BMC Records | BMC CD 271 | ||
| 2019 |
Grencsó Poetry Collective - From Door to Gate
(Grencsó Poetry Collective - Ajtótól kapuig) |
Hunnia Records | HRCD1903 |
Own |
| 2019 |
Grencsó String Collective - River Music
(Grencsó String Collective - Folyami zene) |
Adyton | AGZE09CD |
Own |
| 2020 |
Trió Kontraszt: Cryptic Scattered Images of Time Forgotten
(Trió Kontraszt: A feledésbe merült idő rejtélyes képfoszlányai) |
BMC Records | BMC CD 290 |