Vidovszky László
Composer
Place of Birth
Békéscsaba
Date of Birth
1944
25 February 1944 Békéscsaba
He started to play the piano at the age of five and studied composing from 1959 in the Szeged Secondary School for Music with Géza Szatmári. Between 1962 and 1967 he was pupil of Ferenc Farkas at the Ferenc Liszt Music Academy, and after graduation he became scholarship holder of the Fund of Art for three years. Thanks to a half-year UNESCO scholarship, he studied in Paris (1970), where he visited the courses of the Groupe de Recherches Musicales of the French Radio and the composing classes of Olivier Messiaen at the Conservatoire.
Encouraged by Albert Simon, he founded the New Music Studio with Péter Eötvös, Zoltán Kocsis, László Sáry and Zoltán Jeney in 1970. The studio soon became an internationally renowned workshop for composers and performers, and introduced more than 600 contemporary music works between 1972 and 1990. As composer and performer he contributed to the concerts the orchestra. Since 1972 he’s been teaching permanently: first he started to work at the Teacher Training Institute of the Ferenc Liszt Music Academy, and since 1984 he’s been teaching at the University of Pécs and since 1999 at the Ferenc Liszt Music Academy of Budapest, too.
His major works are: ASCH (2007), Duet (2003-2007), The Death in my Viola (2005), Etudes for MIDI piano I-IV. (1990-2003), Twelve String quartets (2000), Silly Old Muzak (1997), Movie (1993), Music to the Hungarian Pavilion of the Sevilla World Expo (1992), Twelve duos (1987-1989), Romantic readings (1983), Narcissus and Echo (1980-1981), Voice-Color-Space (1980), The death of Schroeder (1974-1975), Autoconcert (1972), instrumental and electro acoustic compositions, voice installations. Between 1973 and 1989 he composed a number of soundtracks, for example to the movies of Gábor Bódy (Narcissus and Psyche, Night song of the dog), Ildikó Enyedi (My twentieth century), Ágnes Háy and János Tóth.
He was awarded with the Erkel Prize (1983), the Bartók-Pásztory Award (1992), the title Merited Artist (1996), the Artist Prize of the Soros Foundation (2001), the Knight’s Cross of Merit of Order of the Hungarian Republic (2004), and the Kossuth Prize (2010). He is ordinary member of the Széchenyi Academy of Literature and Arts.
He started to play the piano at the age of five and studied composing from 1959 in the Szeged Secondary School for Music with Géza Szatmári. Between 1962 and 1967 he was pupil of Ferenc Farkas at the Ferenc Liszt Music Academy, and after graduation he became scholarship holder of the Fund of Art for three years. Thanks to a half-year UNESCO scholarship, he studied in Paris (1970), where he visited the courses of the Groupe de Recherches Musicales of the French Radio and the composing classes of Olivier Messiaen at the Conservatoire.
Encouraged by Albert Simon, he founded the New Music Studio with Péter Eötvös, Zoltán Kocsis, László Sáry and Zoltán Jeney in 1970. The studio soon became an internationally renowned workshop for composers and performers, and introduced more than 600 contemporary music works between 1972 and 1990. As composer and performer he contributed to the concerts the orchestra. Since 1972 he’s been teaching permanently: first he started to work at the Teacher Training Institute of the Ferenc Liszt Music Academy, and since 1984 he’s been teaching at the University of Pécs and since 1999 at the Ferenc Liszt Music Academy of Budapest, too.
His major works are: ASCH (2007), Duet (2003-2007), The Death in my Viola (2005), Etudes for MIDI piano I-IV. (1990-2003), Twelve String quartets (2000), Silly Old Muzak (1997), Movie (1993), Music to the Hungarian Pavilion of the Sevilla World Expo (1992), Twelve duos (1987-1989), Romantic readings (1983), Narcissus and Echo (1980-1981), Voice-Color-Space (1980), The death of Schroeder (1974-1975), Autoconcert (1972), instrumental and electro acoustic compositions, voice installations. Between 1973 and 1989 he composed a number of soundtracks, for example to the movies of Gábor Bódy (Narcissus and Psyche, Night song of the dog), Ildikó Enyedi (My twentieth century), Ágnes Háy and János Tóth.
He was awarded with the Erkel Prize (1983), the Bartók-Pásztory Award (1992), the title Merited Artist (1996), the Artist Prize of the Soros Foundation (2001), the Knight’s Cross of Merit of Order of the Hungarian Republic (2004), and the Kossuth Prize (2010). He is ordinary member of the Széchenyi Academy of Literature and Arts.
| Title | Type | Year |
|---|---|---|
| à 4 | Chamber Music | 1978 |
| αντιστροφή | Instrumental solo | 2022 |
| αντιστροφή / Antithesis | Chamber Music | 0 |
| -e; -p (epitaph) | Computer music | 2016 |
| ...about John | Live and tape music | 1992 |
| 1 pc Piece | Chamber Music | 2000 |
| 10000 Pitches for Dezső Tandori | Electroacoustic music | 1998 |
| 190 | Ensemble | 1984 |
| 2hangú felgondolás | Chamber Music | 2001 |
| 3-hangú felgondolások I-IV - for player piano | Electroacoustic music | 1990 |
| 3hangú felgondolások I-IV | Chamber Music | 1988 |
| 405 | Chamber Music | 1972 |
| 405 | Chamber Music | 1979 |
| 78528 | Instrumental solo | 1978 |
| A la recherche du temps précieux | Chamber Music | 1992 |
| A la recherche du temps Précieux | Electroacoustic music | 1992 |
| A Simon-pure Tune Composed by a Studious New Musician | Chamber Music | 1996 |
| A-Z | Chamber Music | 1989 |
| Aboriginal Rag | Electroacoustic music | 1990 |
| Adventures in the Mirror | Film music | 1991 |
| Ady: The Black Piano | Concerto | 1995 |
| Albeniz-Mirage | Live and prerecorded music | 2000 |
| Aldrin Space Opera | Multimedia | 1976 |
| Alleluja | Film music | 2006 |
| Anxious Silence: Pál Deim | Film music | 1988 |
| Aria grazioso. From the opera "Golden Time" | Solo voice(s) with solo instrument(s) | 2002 |
| Auto-repeat | Electroacoustic music | 1990 |
| Autoconcert | Other | 1972 |
| Autres gymnopédies No. 1-3. / Other Gymnopédies, No. 1-3. | Instrumental solo | 1994 |
| Baroque | Electroacoustic music | 1990 |
| Berceuse canonique | Chamber Music | 1993 |
| Berlioz | Electroacoustic music | 1992 |
| Black Quartet | Chamber Music | 1997 |
| Blackout – In memoriam János Tóth | !to be determined | 2019 |
| Blue Waves | Chamber Music | 2015 |
| Brahms³ | Chamber Music | 0 |
| Break | Symphony orchestra | 2017 |
| Breaking News | Electroacoustic music | 0 |
| C+A+G+E MUSIC No. 1 | Chamber Music | 1972 |
| C+A+G+E MUSIC No. 2 | Chamber Music | 1973 |
| Calligraphy Exercises | Film music | 1999 |
| Case | Film music | 1981 |
| Castle-Time | Film music | 1975 |
| Chalk Circle | Film music | 1978 |
| Chord-study | Electroacoustic music | 1992 |
| Circus | Electroacoustic music | 1975 |
| Closing Time | Chamber Music | 2001 |
| Commentaries on Machaut | Solo voice(s) with solo instrument(s) | 2000 |
| Danse Macabre | Film music | 1992 |
| December 27 | Live electronic music | 1978 |
| Die Geschwister / The Siblings | Film music | 1982 |
| Double | Chamber Music | 1972 |
| Doubles | Chamber Music | 2003 |
| Drei Choral-vorspiel-Variationen | Electroacoustic music | 1992 |
| Duck | Film music | 1992 |
| East European Alarm | Film music | 1987 |
| EL | Chamber Music | 1999 |
| Elegy | Instrumental solo | 0 |
| Encounter | Stage work | 1980 |
| Es ist genug | Chamber Music | 0 |
| Etudes for MIDI Piano | Electroacoustic music | 1990 |
| Faust´s March | Electroacoustic music | 1990 |
| Festive Fanfare | Chamber Music | 1998 |
| Fin(n)ish | Electroacoustic music | 1996 |
| Five German Dances | Instrumental solo | 1990 |
| Flue-Piano Sonata | Chamber Music | 1997 |
| Following Machaut I-III. | Solo voice(s) with solo instrument(s) | 1998 |
| For one or two Cimbaloms | Chamber Music | 2000 |
| Form the Diary of an Eccentric Man | Film music | 1972 |
| Four Victorian Phantom-Pictures | Tape music | 1983 |
| Fourteen | Ensemble | 2023 |
| Fractional Scales | Electroacoustic music | 1990 |
| Fragment | Symphony orchestra | 1970 |
| Fuga à una voce Nr. 2 | Chamber Music | 2022 |
| Futaki Song (Inventor rutili) | Electroacoustic music | 1992 |
| Gaga | Chamber Music | 1976 |
| German Dances | String orchestra | 1990 |
| German Dances | Chamber Music | 1989 |
| German Dances | Chamber Music | 1999 |
| Hamburg | Film music | 1986 |
| Hands | Film music | 1999 |
| Hommage à Kurtág | Live and tape music | 1975 |
| Hommage a Kurtág (2. version) | Live and tape music | 1985 |
| Hommage a Veszelszky | Electroacoustic music | 1992 |
| Hommage á Dohnányi | Chamber Music | 1977 |
| Honour Lap | Chamber Music | 1975 |
| Hoquetus | Chamber Music | 2000 |
| Horacian Songs | Solo voice(s) with solo instrument(s) | 1966 |
| Hungarian Landscape - American Brush | Electroacoustic music | 1990 |
| I´am Hesitating | Film music | 2004 |
| In Memoriam Gábor Bódy | Other | 1987 |
| La crépuscule d´une aube | Electroacoustic music | 2001 |
| Le piano & son double | Instrumental solo | 1992 |
| Le piano et ses doubles | Chamber Music | 2012 |
| Lear | Ballet / Choreographic work | 1988 |
| Loco-Dances | Instrumental solo | 1995 |
| Ludwig in China | Instrumental solo | 0 |
| Marche pour la présentation des drapeaux / March to the Procession of Flags | Symphony orchestra | 1980 |
| Mazur 1a | !to be determined | 0 |
| Mechanical Bride´s Dance | Electroacoustic music | 1989 |
| Méditations sur le mystere d´O M | Instrumental solo | 1993 |
| Melody | Solo voice(s) a cappella | 1978 |
| Message from the Prince No. 1 | Other | 1976 |
| Message from the Prince No. 2 | Unspecified instrument(s) | 1980 |
| Message from the Prince No. 3 | Unspecified instrument(s) | 1980 |
| Message to My Old School | Chamber Music | 1995 |
| Mime | Electroacoustic music | 1990 |
| Moholy 1917 | Film music | 1996 |
| Motet (quantum tibi gratulentur) | Choir and solo instrument(s) | 1981 |
| Movie | Live and tape music | 1992 |
| Mozart and Salieri | Film music | 1979 |
| Music for Győr | Symphony orchestra | 1971 |
| My Twentieth Century | Film music | 1989 |
| Na-ne Audio Video Games | Other | 1990 |
| Narcissus and Echo | Opera | 1981 |
| Narcissus and Harpies | Chamber Music | 1986 |
| Narcissus and Psyche | Film music | 1980 |
| Nine Short Chorals Greeting Kurtág | Instrumental solo | 1996 |
| Nine Short Chorals to Celebrate Kurtág | Chamber Music | 1996 |
| NORWEGIAN BARREL-ORGAN | Other | 1990 |
| Not wanting to say anything about John | Electroacoustic music | 1992 |
| Notes of harmonics | Chamber Music | 2011 |
| Notturno | Chamber Music | 2002 |
| Nymphenchor | Choir and solo instrument(s) | 1985 |
| O M | Electroacoustic music | 1992 |
| Oldies but Goldies I. | Electroacoustic music | 1992 |
| Oldies but Goldies II. | Electroacoustic music | 1992 |
| Ombres trouvées | Chamber Music | 2016 |
| Ordinateurs sous la pluie | Electroacoustic music | 2003 |
| Orkesztrion | Symphony orchestra | 2014 |
| Other Gymnopedies No. 4 | Chamber Music | 1994 |
| Pastime - In Search of Precious Time | Chamber Music | 1992 |
| Pigtail | Tape music | 1979 |
| Plasticine | Film music | 1977 |
| Polonaise Funebre | Instrumental solo | 1979 |
| Post scriptum ad missam Maria zart Jacobii Obrecht | Chamber Music | 2005 |
| Praeludium | Electroacoustic music | 1992 |
| Praeludium & Walzer | Chamber Music | 1993 |
| Praeludium & Walzer | Electroacoustic music | 1993 |
| Promenade | Ensemble | 2015 |
| reMEmbrance | Electroacoustic music | 2000 |
| RENORAND | Electroacoustic music | 1975 |
| Repetitive | Electroacoustic music | 1990 |
| Reprint | Live and prerecorded music | 2003 |
| Reverb | Chamber Music | 2011 |
| Romantic Readings No 1. | Ensemble | 1983 |
| Romantic Readings No. 2 | Symphony orchestra | 1985 |
| Rottenbiller Street 16-22. | Electroacoustic music | 1990 |
| Schroeder´s Death | Instrumental solo | 1975 |
| SHWAAA 3C273 | Stage work | 1997 |
| Signals, interludes and postludes for plays of Saint Nicholas | Ensemble | 1986 |
| Silent Music of Birds after Mozart and Hokusai | Film music | 2006 |
| Silly Old Muzak | Electroacoustic music | 1997 |
| Simultaneous | Electroacoustic music | 1992 |
| Soft Errors | Ensemble | 1989 |
| Solo with obligato accompaniment | Unspecified instrument(s) | 1982 |
| Something Happened? Fragments about the Painter István Farkas | Film music | 1995 |
| Songs by Péter Rostás | Electroacoustic music | 1996 |
| Sound-Colour-Space | Other | 1980 |
| Sounds of Baranya | Electroacoustic music | 2001 |
| Souvenir de J. | Other | 1977 |
| Souvenir d´ASch | Chamber Music | 2006 |
| Street Music | Chamber Music | 2009 |
| T for Triptych, T for Tanaka | Electroacoustic music | 1997 |
| Taarabesque | Film music | 2003 |
| Tamás Hencze: Frozen Gestures | Film music | 1989 |
| The Death of my Viola | Chamber Music | 2005 |
| The Dog´s Night Song | Film music | 1983 |
| The Last Manuscript | Film music | 1987 |
| The Red Countess | Film music | 1984 |
| The Repeated Repeater | Electroacoustic music | 1989 |
| Tree Memories | Film music | 2001 |
| Tribute to Tom Johnson | Other | 2024 |
| Twelve Duos | Chamber Music | 1989 |
| Twilight | Film music | 1990 |
| Two Paraphrases | Instrumental solo | 2018 |
| Undisturbed | Live and tape music | 1974 |
| Une semaine de beauté | Electroacoustic music | 1983 |
| Versus | Instrumental solo | 1972 |
| Versus No. 2 | Instrumental solo | 1968 |
| Vinci, Stand Up! | Film music | 1996 |
| Violin-Radio Sonata No. 1 | Other | 2001 |
| Violin-Radio Sonata, no. 2 | Electroacoustic music | 2008 |
| Visus | Film music | 1976 |
| Vorbei | Chamber Music | 0 |
| Waldszenen | Live and prerecorded music | 1993 |
| Walzer-Choral | Chamber Music | 1991 |
| Wave | Electroacoustic music | 1997 |
| Wer nun den lieben Gott läßt – Wer weiß, die nahe mir | Chamber Music | 0 |
| Wiederholung in Es | Ensemble | 1985 |
| Yesterday´s Song | Electroacoustic music | 1990 |
| Zwölf Streichquartette | Chamber Music | 2000 |