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BMC - Magyar Zenei Információs Központ
Konzert für Violine und Orchester / Concerto for Violin and Orchestra
Ajánlás:
to Saschko Gawriloff
A mű keletkezési éve:
1992
Típus:
Concerto
Előadók száma:
23
Előadói apparátus:
vl. solo - 2 fl. (I anche fl.a. / rec.s., II anche picc.), ob. (anche sopran ocarina in do), 2 cl. (I anche cl. in mi b / sopranino ocarina in alto fa, II anche cl.b. / alt ocarina in basso so), fg. (anche sopran ocarina in do) - 2 cor., tr., trb. - perc. (2 esec. - 3 timp., tam-tam, 2 wood bl., tambourine, tmb.picc., gr.c., crot., camp., gong, frusta, campli., vibr., marimba, xil., flauto a culisse [slide whistle]) - strings: 4 vl. (1 con scordatura), 3 vla. (1 con scordatura), 2 vlc., cb.
Időtartam:
28 perc
Tételek, részek:
1. Praeludium: Vivacissimo luminoso
2. Aria, Hoquetus, Choral: Andante con moto
3. Intermezzo: Presto
4. Passacaglia: Lento intenso
5. Apassionato: Agitato molto
Megrendelő:
Saschko Gawriloff, WDR, Cologne
Bemutató:
original version: 3 November 1990, Köln, Germany; Saschko Gawriloff (vl.), Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini (cond.)
New version: 8 October, 1992, Köln, Germany; Saschko Gawriloff (vl.), Ensemble Modern, Peter Eötvös (cond.)
Kottakiadó / Forrás:
Schott, ED 9170 (study score) (performance material on hire)
Deutsche Grammophon CD 00289 477 6447, 2006 - Saschko Gawriloff (vl.), Ensemble Intercontemporain, Pierre Boulez (cond.)
Naive CD V 5285, 2012 - Patricia Kopatchinskaja (vl.), Frankfurt Radio Symphony Orchestra; Péter Eötvös (cond.)
1 perces minta:
1. Praeludium: Vivacissimo luminoso(mp3)
1 perces minta:
2. Aria, Hoquetus, Choral(mp3)
1 perces minta:
3. Intermezzo: Presto(mp3)
1 perces minta:
4. Passacaglia: Lento intenso(mp3)
1 perces minta:
5. Apassionato: Agitato molto(mp3)
Megjegyzések, további info:
Composed: 1990, revised: 1992
Ligeti´s violin concerto, in its final form, is in five movements. As if each of the movements were not astonishing enough for the breadth of ideas as it is, the finale layers them all on top of each other. The shimmering harmonics, the slow-moving, soaring melodies, the rhythmic complexities combine to raise the level of excitement. After a brief episode of the Hungarian folksong, the music reaches a dramatic, multiple-forte climax before the violin launches into the final cadenza which is the most dramatic moment of the work. The concerto ends almost immediately, as if cut off in the middle.
