You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'AND parent = 0 AND place_id = 1
ORDER BY place_id ASC, menu_order ASC' at line 3You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'AND parent = 0 AND place_id = 3
ORDER BY place_id ASC, menu_order ASC' at line 3You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'AND parent = 0 AND place_id = 2
ORDER BY place_id ASC, menu_order ASC' at line 3You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax to use near 'AND parent = 0 AND place_id = 4
ORDER BY place_id ASC, menu_order ASC' at line 3
2 fl. (II anche picc.), 2 ob. (II anche c.ing.), 2 cl., 2 fg. - 3 cor. (III outside of the ensemble), 2 tr. - perc. (2 esec. - ptto.sosp., ptti. a 2, tmb.picc., gr.c.) - strings: vl. 1, vl. 2, vla., vlc., cb.
Időtartam:
12 perc
Tételek, részek:
1. Andantino
2. Allegro vivace
3. Adagio ma non troppo
4. Molto vivace
Kottakiadó / Forrás:
Schott Music, score: ED 8797, performance material on hire Available here!
Hangfelvételek:
WSM 8573 88 261-2 - Berliner Philharmoniker, Jonathan Nott (cond.)
1 perces minta:
1. Andantino(mp3)
1 perces minta:
2. Allegro vivace(mp3)
1 perces minta:
3. Adagio ma non troppo(mp3)
1 perces minta:
4. Molto vivace(mp3)
Megjegyzések, további info:
"After spending some time in Romania in 1949/50, studying at the Folklore Institute in Bucharest, I participated in several trips to record partly Romanian, partly Hungarian folk music (in Covasint near Arad and in Inaktelke near Cluj in the region of Kalotaszeg). The present four-movement concerto for orchestra (with string and wind solos) is based on a large number of Romanian folk tunes recorded by me, most of which exist on wax cylinders and records of the Bucharest Folklore Institute. In Covasint, on the other hand, I got to know the common harmonic idioms of Romanian peasant music which I have used in the Concerto in a stylised form. This orchestral composition was one of the ´camouflage pieces´, used to evade (1951) the imposed dictatorship in the field of arts. Though quite conforming to the ruies, the piece nevertheless turned out to be ´politically incorrect´ because of some forbidden dissonances (e.g. F sharp in B major). For today´s listener, it is hardly understandable that such minor tonal jokes were declared subversive. The ´Romanian Concerto´ reflects my deep love of Romanian folk-music (and of Romanian-Ianguage culture absolute). The piece was banned at once and not performed until many decades later." (György Ligeti, in September 2000)