Songs of women composers from the 18th century, accompanied by clavichord
Dank, Dank sey dem der dich erfunden
Szöveg: Ernestine Krüger, zene: Johann Philipp Kirnberger
Kleiner holder Zauberquell!
Szöveg: Caroline Louise von Klencke, zene: Johann Friedrich Reichardt
Sey mir gegrüsst mein schmeichelndes Klavier
Szöveg: Johannes Timotheus T. Hermes, zene: Maria Theresia von Paradis
Wallet, wallet sanfte Melodien
Szöveg és zene: két ismeretlen barátnő
Johann Philipp Kirnberger (1721–1783): 8 Fugen
Nr. II. a-moll, Nr. IV. f-moll, Nr. VI. D-dúr, Nr. VII d-moll, Nr. VIII cisz-moll
Mit stillem Kummer in der Brust
Szöveg: Philippine Gatterer
Zene: Johann Christian Friedrich Schneider
Friederike Pallas
Christoph Heinrich Hartmann
Johann Abraham Sixt
Johann Friedrich Reichardt (1752–1814): 6 rondó, Op. 6
Nr. I. G-dúr Allegretto, Nr. III. Esz-dúr Adagio e con molta espressione, Nr. IV. F-dúr Allegretto
Erleichtre meine Sorgen
Szöveg: Henriette Ernestine Christine von Hagen
Zene: ismeretlen
Johann André
Christian Michael Wolff
Johann Christian Gottfried Gräser
- Éva Bodrogi - voice
- Ágnes Ratkó - clavichord
An intriguing yet lesser-known facet of 18th-century German song is the Clavier song, a piece for keyboard accompaniment where the Clavier is mentioned in the lyrics, often playing a significant role. The term "Clavier" or "Klavier" refers to the clavichord, a keyboard instrument beloved for its expressive range during the sentimentalist Empfindsamkeit era. The concert repertoire features songs with lyrics or music by female composers, alongside notable figures like Johann Philipp Kirnberger and Johann Friedrich Reichardt, showcasing their keyboard works.
Free entry! Seating is on a first-come, first-served basis.
