Szakcsi Lakatos Béla
piano
Place of Birth
Budapest
Date of Birth
1943
Orchestra
8 July 1943 Budapest - 2 October 2022
When Béla Szakcsi started playing the piano at the age of nine, he dreamed of becoming a famous composer and interpreter of classical music. But after having graduated from the Béla Bartók Conservatory, he became acquainted with jazz, and this experience diverted him from further classical musical studies.
Szakcsi made his début in Andor Kovács' group, but by the middle of the sixties he had formed his own group, with which he appeared on the album entitled Anthology '67. His trio, LDL, shared first prize with another group at the competition organized by the Hungarian Radio, and in 1970, as a member of Aladár Pege's quartet, he won second prize at the Montreux Jazz Festival, a feat that opened the gates of the international jazz scene to him.
From Zurich to Warsaw, from Nuremberg to Belgrade, from North America to Asia, he has performed at the highest-ranking festivals. He has collaborated on albums with jazz musicians from all over the world. Prominent among these are the albums recorded with percussionist George Jinda. As the soloist of Special EFX formed by George Jinda and Chieli Minucci, Szakcsi has appeared as composer/performer on eleven albums. It was thanks to these recordings that he was offered a contract with the American recording company GRP in the middle of the eighties (Sachi, 1988; Mystic Dreams, 1989; Eve of Chance, 1992; Straight Ahead, 1994). Chick Corea has often expressed appreciation of Szakcsi's excellence as composer and performer - one who has played with such notabilities of the genre as Carmen Jones, Frank Zappa, Art Farmer, Mark Ledford, Dave Weckl, Omar Hakim, Terri Lyne Carrington, Marvin "Smitty" Smith, Jay Leonhart, Gerald Veasley, Victor Bailey, Randy Roos, Attila Zoller, Rodney Holmes, David Sanchez or Mike Richmond.
In the history of Hungarian jazz, it is Szakcsi to whom we must give credit for the spreading of fusional jazz, first with his group Rákfogó, later with Saturnus. From the beginning of the seventies, he taught jazz piano for twelve years at the Béla Bartók Secondary School of Music, where, following the example of Keith Jarrett, Chick Corea and Herbie Hancock, he laid special emphasis on the fusion of classical music and jazz. It was with this object in mind that he resumed his studies of classical composers from Bach to Bartók, Stravinsky, Schönberg and Webern.
In the meanwhile he was also engaged in collecting Gypsy folklore and adapting it to the stage. His first Gypsy musical, Red Caravan opened in 1975, and was followed by Once upon a time a Gypsy girl, then Cartwheel. In 1989 he wrote The Beast, a rock opera based on the life of Erzsébet Báthory, commissioned by the Rock Theatre, and his hundred-minute ballet entitled Cristoforo opened at the Hungarian State Opera on the quincentenary of the discovery of America.
All those who have kept track of the life-work of Liszt-prize winner Béla Szakcsi will have noticed that - following the lead of his example, Leonard Bernstein - he feels at home in every musical genre. He has recorded Hungarian folk song adaptations with opera singer Ádám Horváth and folk singer Gyöngyi Écsi (My flower, my flower, 1988), pieces for four hands with pianist György Vukán (Conversation for two pianos and orchestra, 1998, Das Duell I-II-III - Vukán-Szakcsi in Gottingen, 1998, Conversation Plus, 1999, Fourhand, 2000), and a succession of jazz recordings with eminent artists (Journey in Time, with Imre Kőszegi and Jackie Orszáczky, 1998, On the way back home, with Bob Mintzer and Peter Bernstein, 2001). For the past ten years he has immersed himself in the compositions of György Kurtág, at present he is making a close study of the works of György Ligeti, Péter Eötvös and Pierre Boulez.
To create a common language out of hitherto separate musical genres - this is obviously Szakcsi's true vocation, and it is in this spirit that the improvisations with Lajos Kathy Horváth, going on for decades, now came to be recorded for the first time (In one breath, 2002 - BMC CD 061).
Awards
1987 Ferenc Liszt Award
1994 Gábor Szabó Award
1998 Inter Lyra Award
2002 For Budapest Award
2002 Merited Artist
2004 Hungarian Jazz Award
2005 Kossuth Prize
When Béla Szakcsi started playing the piano at the age of nine, he dreamed of becoming a famous composer and interpreter of classical music. But after having graduated from the Béla Bartók Conservatory, he became acquainted with jazz, and this experience diverted him from further classical musical studies.
Szakcsi made his début in Andor Kovács' group, but by the middle of the sixties he had formed his own group, with which he appeared on the album entitled Anthology '67. His trio, LDL, shared first prize with another group at the competition organized by the Hungarian Radio, and in 1970, as a member of Aladár Pege's quartet, he won second prize at the Montreux Jazz Festival, a feat that opened the gates of the international jazz scene to him.
From Zurich to Warsaw, from Nuremberg to Belgrade, from North America to Asia, he has performed at the highest-ranking festivals. He has collaborated on albums with jazz musicians from all over the world. Prominent among these are the albums recorded with percussionist George Jinda. As the soloist of Special EFX formed by George Jinda and Chieli Minucci, Szakcsi has appeared as composer/performer on eleven albums. It was thanks to these recordings that he was offered a contract with the American recording company GRP in the middle of the eighties (Sachi, 1988; Mystic Dreams, 1989; Eve of Chance, 1992; Straight Ahead, 1994). Chick Corea has often expressed appreciation of Szakcsi's excellence as composer and performer - one who has played with such notabilities of the genre as Carmen Jones, Frank Zappa, Art Farmer, Mark Ledford, Dave Weckl, Omar Hakim, Terri Lyne Carrington, Marvin "Smitty" Smith, Jay Leonhart, Gerald Veasley, Victor Bailey, Randy Roos, Attila Zoller, Rodney Holmes, David Sanchez or Mike Richmond.
In the history of Hungarian jazz, it is Szakcsi to whom we must give credit for the spreading of fusional jazz, first with his group Rákfogó, later with Saturnus. From the beginning of the seventies, he taught jazz piano for twelve years at the Béla Bartók Secondary School of Music, where, following the example of Keith Jarrett, Chick Corea and Herbie Hancock, he laid special emphasis on the fusion of classical music and jazz. It was with this object in mind that he resumed his studies of classical composers from Bach to Bartók, Stravinsky, Schönberg and Webern.
In the meanwhile he was also engaged in collecting Gypsy folklore and adapting it to the stage. His first Gypsy musical, Red Caravan opened in 1975, and was followed by Once upon a time a Gypsy girl, then Cartwheel. In 1989 he wrote The Beast, a rock opera based on the life of Erzsébet Báthory, commissioned by the Rock Theatre, and his hundred-minute ballet entitled Cristoforo opened at the Hungarian State Opera on the quincentenary of the discovery of America.
All those who have kept track of the life-work of Liszt-prize winner Béla Szakcsi will have noticed that - following the lead of his example, Leonard Bernstein - he feels at home in every musical genre. He has recorded Hungarian folk song adaptations with opera singer Ádám Horváth and folk singer Gyöngyi Écsi (My flower, my flower, 1988), pieces for four hands with pianist György Vukán (Conversation for two pianos and orchestra, 1998, Das Duell I-II-III - Vukán-Szakcsi in Gottingen, 1998, Conversation Plus, 1999, Fourhand, 2000), and a succession of jazz recordings with eminent artists (Journey in Time, with Imre Kőszegi and Jackie Orszáczky, 1998, On the way back home, with Bob Mintzer and Peter Bernstein, 2001). For the past ten years he has immersed himself in the compositions of György Kurtág, at present he is making a close study of the works of György Ligeti, Péter Eötvös and Pierre Boulez.
To create a common language out of hitherto separate musical genres - this is obviously Szakcsi's true vocation, and it is in this spirit that the improvisations with Lajos Kathy Horváth, going on for decades, now came to be recorded for the first time (In one breath, 2002 - BMC CD 061).
Awards
1987 Ferenc Liszt Award
1994 Gábor Szabó Award
1998 Inter Lyra Award
2002 For Budapest Award
2002 Merited Artist
2004 Hungarian Jazz Award
2005 Kossuth Prize
| Year | Title | Publisher | Code | Remark |
|---|---|---|---|---|
| Magánkiadás | PEGE 5 | |||
| 1967 | Hungaroton | LPX 17372 | LP | |
| 1970 | Hungaroton | LP | ||
| 1978 |
Tomsits Jazz Group: Dream and reality
(Tomsits Jazz Group: Álom és valóság) |
Pepita | SLPX 17549 | LP |
| 1979 |
Figyelem Felvétel - Session at Night
(Figyelem Felvétel - Éjszaka a stúdióban) |
Pepita | SLPX 17566 | |
| 1980 | Pepita | SLPX 17596 | ||
| 1980 | Pepita | SLPX 17602 | ||
| 1982 | Amiga | 8 55 936 | ||
| 1982 | Krém | SLPX 17693 | ||
| 1982 | Krém | SLPX 17706 | LP | |
| 1984 | Opus | 9115 1404-05 | ||
| 1987 | Opus | 9115 1652-53 | 2 LPs | |
| 1988 | GRP Records | GRD-9556 |
Own |
|
| 1989 | GRP Records | GRD-9577 |
Own |
|
| 1990 |
Long, Hot Summer -
Songs of Pál S. Gábor
(Hosszú, forró nyár - Gábor S. Pál dalai) |
Hungaroton | SLPX 37353 | LP |
| 1990 | Krém | SLPX37376 | ||
| 1992 | GRP Records | GRD-9647 |
Own |
|
| 1994 | Columbia | Columbia 477891 | ||
| 1994 | Hungaroton | HCD 37332 | ||
| 1994 | GRP Records | GRD-9737 |
Own |
|
| 1997 |
Szakcsi-Kőszegi Duo: Journey in Time
(Szakcsi-Kőszegi Duo: Időutazás) |
Magánkiadás | FTM-9708 |
Own |
| 1998 | Creative Art Ensemble | CAE CD 027 |
Own |
|
| 1998 | Hungaroton | HCD 37903 |
Own |
|
| 1998 |
My Beloved, My Beloved
(Virágom, virágom) |
Music Express Classics | MEC487 | |
| 1999 |
Works
(Márta István művei) |
Hungaroton | HCD 31580 | |
| 1999 | Creative Art Ensemble | |||
| 1999 | Creative Art Ensemble | CAE 031 | ||
| 2000 |
Szakcsi Lakatos Béla: On The Way Back Home
(Szakcsi Lakatos Béla: Útban hazafelé) |
Hungaroton | HCD 71051 |
Own |
| 2001 | BMC Records | BMC CD 061 |
Own |
|
| 2003 | Hungaroton | HCD 71157 | ||
| 2004 |
Péter Eötvös: Snatches
(Eötvös Péter: Snatches) |
BMC Records | BMC CD 097 | |
| 2004 | BMC Records | BMC CD 103 |
Own |
|
| 2004 | CD BÁR BUDA | DM002 | ||
| 2004 |
Now and then
(Most és akkor) |
Pannon Jazz | PJ 1055 | |
| 2005 | BMC Records | BMC CD 108 |
Own |
|
| 2005 | BMC Records | BMC CD 113 | ||
| 2005 |
Concert of Joy 2005
(Örömkoncert 2005) |
Magánkiadás | DVD - Not for sale | |
| 2005 | BMC HMIC | BMC PCD 016 | Not for sale - only for promotion / 4 CDs | |
| 2005 | Hagyma Produkció | HP0501 | ||
| 2006 | BMC Records | BMC CD 126 | ||
| 2006 | Skip Records | SKP 9062-2 | ||
| 2006 | Hagyma Produkció | HP0601 | CD + DVD | |
| 2007 | Gramofon | KJCD 2007-01 | ||
| 2008 | Hungaroton | HCD 17771 | ||
| 2009 | Hunnia Records | HRCD 922 | ||
| 2009 |
Figyelem Felvétel - Session at night
(Figyelem Felvétel - Éjszaka a Stúdióban) |
Alexandra Records | PDKCD0049 | |
| 2010 | BMC Records | BMC CD 182 |
Own |
|
| 2013 | BMC Records | BMC CD 198 |
Own |
|
| 2014 | BMC Records | BMC CD 212 |
Own |
|
| 2016 | BMC Records | BMC PCD 033 | ||
| 2017 | BMC Records | BMC CD 242 | ||
| 2020 |
Kornél Fekete-Kovács, Modern Art Orchestra Foundations – Yamas and Niyamas
(Fekete-Kovács Kornél, Modern Art Orchestra: Foundations – Yamas and Niyamas) |
BMC Records | BMC CD 297 |