Moussong Aurés
Composer
20 December 1984, Mexico City (Mexico) -
Mexican-Hungarian composer, Aurés Moussong studied Composition first in Mexico City, then earned his Master’s degree in Music Composition at the Liszt Academy of Music in Budapest and the University of the Arts in Berlin through the Erasmus program. Between 2022 and 2024 he pursued a two-year postgraduate specialization in composition with Daniel D’Adamo at the Conservatoire de Strasbourg.
In 2021, his percussion quartet "Desde el lugar del misterio" won the prestige Ibermusicas composition competition. The following year, he secured the second prize in the composition competition held by the China-CEEC Music Academies with his work for ensemble “Uncertain Journey to the Tai Shan”. Later that same year, he was awarded first prize at the Egidio Carella Composition Competition organized by Fondazione Val Tidone Musica. More recently, his wind quintet "Rhythmic Thoughts" earned him first prize from the Hungarian Composers Association and the Winds of Central Europe. In 2025 he was a finalist at the prestigious Basel Composition Competition. He studied with Dieter Ammann at the Hochschule Luzern – Musik in Switzerland during an intensive six-month period and is currently living in Lyon, France.
In his music, memories, idiomatic identities, and diverse sensations converge, where tensions and releases shape an evolving flow, unfolding through richly textured, often lyrical sonic landscapes and waves of dynamic intensity.
Mexican-Hungarian composer, Aurés Moussong studied Composition first in Mexico City, then earned his Master’s degree in Music Composition at the Liszt Academy of Music in Budapest and the University of the Arts in Berlin through the Erasmus program. Between 2022 and 2024 he pursued a two-year postgraduate specialization in composition with Daniel D’Adamo at the Conservatoire de Strasbourg.
In 2021, his percussion quartet "Desde el lugar del misterio" won the prestige Ibermusicas composition competition. The following year, he secured the second prize in the composition competition held by the China-CEEC Music Academies with his work for ensemble “Uncertain Journey to the Tai Shan”. Later that same year, he was awarded first prize at the Egidio Carella Composition Competition organized by Fondazione Val Tidone Musica. More recently, his wind quintet "Rhythmic Thoughts" earned him first prize from the Hungarian Composers Association and the Winds of Central Europe. In 2025 he was a finalist at the prestigious Basel Composition Competition. He studied with Dieter Ammann at the Hochschule Luzern – Musik in Switzerland during an intensive six-month period and is currently living in Lyon, France.
In his music, memories, idiomatic identities, and diverse sensations converge, where tensions and releases shape an evolving flow, unfolding through richly textured, often lyrical sonic landscapes and waves of dynamic intensity.
| Title | Type | Year |
|---|---|---|
| Abîmes de Motasham | Live and prerecorded music | 2016 |
| All my farewells are done | Solo voice(s) with ensemble | 2026 |
| Carpathian Mannerism | Instrumental solo | 2025 |
| Chahār Āstāne (Four Thresholds) | Ensemble | 2025 |
| Citer | Live and tape music | 2017 |
| Could be those echoes | Chamber Music | 2013 |
| Darâmad-e Shur | Chamber Music | 2014 |
| De Bois et de Métal | Chamber Music | 2025 |
| Desde el lugar del misterio / From the Realm of Mystery | Chamber Music | 2021 |
| Dialogue à Quatre | Chamber Music | 2023 |
| Diptych | Concerto | 2021 |
| Disparities | Chamber Music | 2022 |
| Dreams of a Tárogató | Live and tape music | 2019 |
| Eastern Flashes | Instrumental solo | 2025 |
| Eastern Flashes | Live and tape music | 2015 |
| Enkidu Metamorphosis | Live and prerecorded music | 2022 |
| Enlevez tous les masques! / Remove all Masks! | Solo voice(s) with ensemble | 2025 |
| Fernweh | Electroacoustic music | 2011 |
| Flammes enlacées (Entangled Flames) | Symphony orchestra | 2024 |
| Four Hungarian Mannerisms | Live and tape music | 2011 |
| From Silence and Stone | Chamber orchestra | 2025 |
| From the Mists Emerges | Chamber Music | 2022 |
| Fuyu (Winter) | Solo voice(s) a cappella | 2011 |
| GN-Δlon | Live and prerecorded music | 2025 |
| Hugrospango | Instrumental solo | 2023 |
| Impulse Momentum | Wind orchestra | 2022 |
| Krakatoa | Ensemble | 2022 |
| Le long rêve de Siyâvaš | Solo voice(s) with ensemble | 2024 |
| Macabre Carnival | Chamber orchestra | 2025 |
| Magma | Instrumental solo | 2019 |
| Murmures dans les brumes | Live and prerecorded music | 2021 |
| Mutable Echoes | Chamber Music | 2020 |
| Nostalgia y Encrucijadas | Ensemble | 2024 |
| Oblivious to the passage of time | Ensemble | 2023 |
| Orugananda | Solo voice(s) with solo instrument(s) | 2019 |
| Perceptual Motion | Chamber Music | 2026 |
| Qambar Batir | Live and prerecorded music | 2011 |
| Questions | Ensemble | 2020 |
| Ritmusgondolatok / Thoughts on Rhythm | Chamber Music | 2023 |
| Rumore, molto rumore | Chamber Music | 2023 |
| Sama | Chamber Music | 2017 |
| The Witch | Instrumental solo | 2018 |
| Uncertain Journey to the Tai Shan | Chamber Music | 2022 |
| Vasarely Rotations | Instrumental solo | 2011 |
| Vida Eterna y Ascociados | Film music | 2016 |
| With a little tequila | Instrumental solo | 2018 |
| Zerch | Film music | 2015 |
| Zuzuzu! | Chamber Music | 2023 |