Molnár Andrea
recorder
She completed her secondary music studies at Leo Weiner Secondary School of Music under the direction of Gábor Kállay, who is still considered a mentor.
Later she became a student of the University of Music in Amsterdam, her teachers were Jorge Isaac and Paul Leenhouts. She returned home with a Master of Music Degree from the Music University of Debrecen, where her teacher was Levente Viha. In 2016, received an Art Master's Degree at the Krakow Academy of Music under the mentoring of Erik Bosgraaf.
She improved her knowledge by taking master classes (Anna Januj, Gábor Prehoffer, Thiemo Wind). Currently, she is member of several Baroque and Contemporary ensembles - Musica Profana, Mandel Ensemble, Excanto early music group, Marquise early music group, Mandel ensemble, Bacchus consort, Budapest Bach consort - and Artistic Director of the Rosella early music ensemble.
She is not only active in the Hungarian early music life, but she is also an engaged contemporary musician, which is proven by her independent evenings of contemporary concerts and a self-organized contemporary recorder masterclass.
She also attended some contemporary masterclasses (Jorrit Tamminga).
Later she became a student of the University of Music in Amsterdam, her teachers were Jorge Isaac and Paul Leenhouts. She returned home with a Master of Music Degree from the Music University of Debrecen, where her teacher was Levente Viha. In 2016, received an Art Master's Degree at the Krakow Academy of Music under the mentoring of Erik Bosgraaf.
She improved her knowledge by taking master classes (Anna Januj, Gábor Prehoffer, Thiemo Wind). Currently, she is member of several Baroque and Contemporary ensembles - Musica Profana, Mandel Ensemble, Excanto early music group, Marquise early music group, Mandel ensemble, Bacchus consort, Budapest Bach consort - and Artistic Director of the Rosella early music ensemble.
She is not only active in the Hungarian early music life, but she is also an engaged contemporary musician, which is proven by her independent evenings of contemporary concerts and a self-organized contemporary recorder masterclass.
She also attended some contemporary masterclasses (Jorrit Tamminga).