Composition database

This is the Composition Database of BMC, which includes information about works by composers that are either Hungarian or Hungarian by origin or live in Hungary.

Title of the work

Inventions for Young Pianists


Composer

Original / Hungarian title
Invenciók fiatal zongoristáknak
Foreign language / English title
Inventions for Young Pianists
Year of composition
2023

Type
Instrumental solo
Number of players
1
Instrumentation
pf.
Movements, parts
1. Egerész macsek / Puss Hunting Mice
2. Kontratánc / Contre Dance
3. Pingvinek tánca / Penguins´ Dance
4. Bánat / Sorrow
5. Brumi / Teddy Bear
6. Kettesben anyával / Alone with Mum
7. Rokka / Spinning Wheel
8. Orrszarvú a pocsolyában / Rhino in the Puddle
9. A kertben / In the Garden
10. Fanfár őfelségének / Fanfare
11. Billegetős tánc / Wobby Dance
12. Kavicsok / Pebbles
13. Tingli-tangli-tangó / Teeny-Tiny-Tango
14. Miben sántikálsz? / What are you up to?
15. Totyogó kiskacsák / Waddling Ducklings
16. Feleselő kezek / Sparring Hands
17. Azt a hét meg a nyócát! / What the Quaver!
18. Szomorú királylány / Sad Princess
19. A legkisebb fiú / The Youngest Son
20. Lusta blues / Lazy Blues
21. Szitakötő / Damselfly
22. Bagolyfióka / Fledgling Owl
23. Utánzás majomszokás! / Copycatting

Publisher / Source
Universal Music Publishing Editio Musica Budapest Ⓒ 2023, Z. 15248
Available here!
Remarks, other info
"This volume expressly aims at extending the repertoire of 3rd- and 4th-grade primary music students (and, of course, that of the older ones, too). Each of the 23 inventions expands and revolves around a musical idea. The short pieces inspire the children´s imagination already with their titles. Teachers and students can freely choose among pieces which require crossing hands, arpeggios, clusters, polyphony, syncopated rhythm, chromaticism, and pedalling. There are melodies with accompaniment, playing with alternate hands, playing legato and staccato, notes with appoggiaturas and acciaccaturas, jazz accents, and glissandi, too. The composer wrote unusual sound effects into a few pieces for the brave. It´s my most sincere wish for young pianists that they find joy in studying Peter Wolf´s works, and I encourage my colleagues to include pieces from this volume into their material: maybe students will also become more open to contemporary music through them." (Rita Zamenák)