Anhalt István
Composer
Place of Birth
Budapest
Date of Birth
1919
István Anhalt, composer, educator (born at Budapest, Hungary 12 Apr 1919, died at Kingston 24 Feb 2012). One of Canada's most individual composers, whose work is strongly influenced by his study of the psychology of speech, Anhalt combined traditional instruments, electronics and the human voice in the textures and sonorities of a highly complex musical language. He came to Montréal in 1949 and joined McGill's music theory department. He founded and directed its Electronic Music Studio from 1964 to 1971, and then went to Kingston as head of Queen's University music department, where he became professor emeritus in 1984.
Representative of his works are Symphony No. 1 (1958), Symphony of Modules for orchestra and tape (1967), Foci (1969) and La Tourangelle (1975), a musical based on the life of the 17th-century Ursuline MARIE DE L'INCARNATION. His orchestral works Sparkskraps (1988) and Doors-Shadows (Glenn Gould in Memory) (1992) have received several performances. Anhalt continued to compose throughout his life, and wrote the pluri-drama Traces (Tikkan) in 1995 and Millennial Mall, a voice-drama for the imagination, in 1999. He was also well known for his writings, including the books Alternative Voices (1984), Oppenheimer (1990) and A Weave of Life Lines (1992). In 2004 Istvan Anhalt was released in the CD series Canadian Composers Portraits (CMCCD 10204). In 2003, he had been made an Officer of the ORDER OF CANADA and in 2007, he became a Fellow of the ROYAL SOCIETY OF CANADA. His symphonic work The Tents of Abraham won the JUNO award for best classical composition in 2005. Portions of his extensive correspondence with the American composer George Rochberg edited by Alan Gillmor appeared in 2007 (Wilfrid Laurier University Press).
Representative of his works are Symphony No. 1 (1958), Symphony of Modules for orchestra and tape (1967), Foci (1969) and La Tourangelle (1975), a musical based on the life of the 17th-century Ursuline MARIE DE L'INCARNATION. His orchestral works Sparkskraps (1988) and Doors-Shadows (Glenn Gould in Memory) (1992) have received several performances. Anhalt continued to compose throughout his life, and wrote the pluri-drama Traces (Tikkan) in 1995 and Millennial Mall, a voice-drama for the imagination, in 1999. He was also well known for his writings, including the books Alternative Voices (1984), Oppenheimer (1990) and A Weave of Life Lines (1992). In 2004 Istvan Anhalt was released in the CD series Canadian Composers Portraits (CMCCD 10204). In 2003, he had been made an Officer of the ORDER OF CANADA and in 2007, he became a Fellow of the ROYAL SOCIETY OF CANADA. His symphonic work The Tents of Abraham won the JUNO award for best classical composition in 2005. Portions of his extensive correspondence with the American composer George Rochberg edited by Alan Gillmor appeared in 2007 (Wilfrid Laurier University Press).
| Year | Title | Publisher | Code | Remark |
|---|---|---|---|---|
| 2019 | Istvan Anhalt: the timber of those times | CMC - Canadian Music Centre | CD-CMCCD 26419 |
Own |
| Title | Type | Year |
|---|---|---|
| ...the timber of those times... (... a theogony...) | Symphony orchestra | 2005 |
| A Little Wedding Music | Solo voice(s) with solo instrument(s) | 1984 |
| A Wedding Carol | Solo voice(s) with solo instrument(s) | 1985 |
| Cento (Cantata Urbana) | Live and tape music | 1967 |
| Chansons d´Aurore | Solo voice(s) with solo instrument(s) | 1955 |
| Comments | Solo voice(s) with solo instrument(s) | 1954 |
| Songs from Na Conxy Pan | Solo voice(s) with solo instrument(s) | 1947 |
| Doors... shadows (Glenn Gould in Memory) | Chamber Music | 1992 |
| Fantasia | Instrumental solo | 1954 |
| Foci | Electroacoustic music | 1969 |
| Four Portraits from Memory | Symphony orchestra | 2006 |
| Galambabmalag the Halloween Witch | Instrumental solo | 1995 |
| Interludium | Orchestral work | 1949 |
| La Tourangelle | Opera | 1974 |
| La fuite | Instrumental solo | 1975 |
| L´Arc en Ciel / The Rainbow | Ballet / Choreographic work | 1951 |
| Millennial mall (Lady Diotima´s walk) | Solo voice(s), choir & orchestra | 1999 |
| Musique Funebre / Funeral Music | Ensemble | 1951 |
| Piano Sonata | Instrumental solo | 1947 |
| Simulacrum | Symphony orchestra | 1987 |
| Sonance - Resonance (Welche Töne?) | Symphony orchestra | 1989 |
| Sonata for Violin and Piano | Chamber Music | 1954 |
| Sparkskraps | Orchestral work | 1987 |
| Symphony | Symphony orchestra | 1958 |
| Symphony of Modules | Live and tape music | 1967 |
| Sonata (Four Portraits from Memory) | Instrumental solo | 2006 |
| The Tents of Abraham | Symphony orchestra | 2003 |
| The bell-man | Choir and chamber ensemble | 1980 |
| Thisness | Solo voice(s) with solo instrument(s) | 1985 |
| Three Songs of Death | Mixed choir | 1954 |
| Three Songs of Love | Female choir | 1951 |
| Three Songs of Love | Solo voice(s) with solo instrument(s) | 1997 |
| Traces (Tikkun) | Stage work | 1994 |
| Trio for violin, violoncello and piano | Chamber Music | 1953 |
| Trio | Chamber Music | 1972 |
| Twilight Fire | Orchestral work | 2001 |
| Winthrop | Opera | 1983 |