Dobos Kálmán
Composer
Place of Birth
Szolnok
Date of Birth
1931
Kálmán Dobos was born in Szolnok in 1931. In 1945 he lost his eye-sight due to an explosion. His started his musical studies in the same year. His intention was to become a pianist, but soon his interest turned towards composition. In 1950 he was admitted to the Faculty of Composition of the Ferenc Liszt Academy of Music. In the following years his professor was János Viski. He also studied piano under Ernő Szegedi, history of music under Dénes Bartha and András Szőllősy, musical science under Lajos Bárdos, and folk music under Pál Járdányi. Gradually, composition became the most important activity in his life. In Vercelli, Italy he won a prize for his works for choir, and later won prizes at several other competitions, too. After graduating from the Academy, he became an employee of the Hungarian Radio, where he worked between 1957 and 1992.
Dobos' compositions have been broadcast and performed in concerts both in Hungary and abroad from the beginning of the late 50s. He played first performance of his pieces in Budapest in 1958, in Vienna in 1961-63, then again in Budapest in 1967.
He has been travelling the world ever since, and altogether 69 recordings have been made of these performances by radio and TV companies. He prefers to play his own compositions but occasionally performs works of Liszt, Bartók, Weiner, and Kodály.
He is mostly interested in chamber music, but has composed symphonic works, as well as choral works, church music and pieces for wind orchestra. Scores of his compositions have been published in Budapest and Paris. Besides composing, he has also written monographies on Manuel De Falla, Edvard Grieg and his teacher, János Viski.
Kálmán Dobos applies, among others, serial and aleatorial techniques indigeniously, and wants to create a synthesis of works of Bartók, Webern, Boulez, Ligeti and contemporary Polish composers having a similar artistic concept. He tries to make use of the most modern forms of musical expression.
Kálmán Dobos has been awarded with several prizes, among them the Erkel Award in 1999.
Dobos' compositions have been broadcast and performed in concerts both in Hungary and abroad from the beginning of the late 50s. He played first performance of his pieces in Budapest in 1958, in Vienna in 1961-63, then again in Budapest in 1967.
He has been travelling the world ever since, and altogether 69 recordings have been made of these performances by radio and TV companies. He prefers to play his own compositions but occasionally performs works of Liszt, Bartók, Weiner, and Kodály.
He is mostly interested in chamber music, but has composed symphonic works, as well as choral works, church music and pieces for wind orchestra. Scores of his compositions have been published in Budapest and Paris. Besides composing, he has also written monographies on Manuel De Falla, Edvard Grieg and his teacher, János Viski.
Kálmán Dobos applies, among others, serial and aleatorial techniques indigeniously, and wants to create a synthesis of works of Bartók, Webern, Boulez, Ligeti and contemporary Polish composers having a similar artistic concept. He tries to make use of the most modern forms of musical expression.
Kálmán Dobos has been awarded with several prizes, among them the Erkel Award in 1999.
| Title | Type | Year |
|---|---|---|
| Ad Mariam | Mixed choir | 1963 |
| Adagio and Fugue | Chamber Music | 1959 |
| Adagio and Fugue for String Quartet | Chamber Music | 1959 |
| Antiphone for Pontiffs | Male choir | 1980 |
| Autumnal Rondo | Mixed choir | 1964 |
| Chamber Concerto for Violoncello and Ensemble | Chamber Music | 1993 |
| Chamber Music for Five Brass-Players | Chamber Music | 1957 |
| Chamber Music for Violin and Piano | Chamber Music | 1962 |
| Ferenc Deák | Male choir | 1975 |
| Flashes | Solo voice(s) with solo instrument(s) | 1963 |
| Four Little Songs | Solo voice(s) with solo instrument(s) | 1952 |
| Hungarian Folk Songs from Moldavia | Solo voice(s) with chamber orchestra | 1974 |
| Hymn about St. Martin | Mixed choir | 1996 |
| Inherences | Chamber Music | 1985 |
| Inner Movements | Chamber Music | 1970 |
| Introduction, Variations and Fugue on the Melody of the Geneva Psalm No. 103 | Instrumental solo | 1990 |
| Manifestations | Chamber Music | 1967 |
| Mass ´74 | Mixed choir | 1974 |
| Meditation | Instrumental solo | 1964 |
| Melódia | Chamber Music | 0 |
| Missa Aperta | Female choir | 1966 |
| Missa brevis | Mixed choir | 1957 |
| Missa brevis | Instrumental solo | 1957 |
| Musica da camera | Chamber Music | 1962 |
| Mystery | Solo voice(s) with ensemble | 1995 |
| On the Way | Solo voice(s) with solo instrument(s) | 1957 |
| Passacaglia for Trumpet and Organ | Chamber Music | 1996 |
| Projections | Chamber Music | 1975 |
| Psalm No. 103 | Solo voice(s) with solo instrument(s) | 1983 |
| Psalm No. 112 | Solo voice(s) with solo instrument(s) | 1991 |
| Psalm No. 119 | Solo voice(s) with solo instrument(s) | 1991 |
| Psalm No. 46 | Mixed choir | 1971 |
| Psalm No. 91 | Mixed choir | 1980 |
| Remembrance | Solo voice(s) with orchestra | 1959 |
| Reply | Mixed choir | 1953 |
| Rosary | Female choir | 1979 |
| Simple Mass | Choir and solo instrument(s) | 1981 |
| Sonata | Chamber Music | 1956 |
| Sonata | Instrumental solo | 1957 |
| Sonata for Violoncello and Piano, No. 2 | Chamber Music | 0 |
| Sonatina for Two Horns | Chamber Music | 1976 |
| Sound Phenomena | Orchestral work | 1968 |
| Souvenir | Mixed choir | 1995 |
| String Trio | Chamber Music | 1963 |
| Symphony | Symphony orchestra | 1957 |
| Three Christmas Antiphones | Male choir | 1976 |
| Three Hungarian Dances | Orchestral work | 1964 |
| Three Lyrical Songs | Female choir | 1988 |
| Three Madrigals | Female choir | 1956 |
| Two Movements | Chamber Music | 1960 |
| Under the North Star | Children's choir | 1976 |
| Variations and Fugue on a Hungarian Melody of the 16th Century | Instrumental solo | 1974 |
| Variations to the Memory of King St. Steven | Instrumental solo | 1988 |
| Wanderlied | Choir with accompaniment | 0 |
| Whitsun Variations | Choir, solo instrument(s) & orchestra | 1984 |
| Without Regard | Mixed choir | 1993 |