Zenemű-adatbázis

Ez a BMC Zenemű-adatbázisa, amely magyar, magyar származású vagy Magyarországon élő zeneszerzők műveivel kapcsolatos információt tartalmaz.

Kereső
Új keresés
A mű címe

Fríz, Op. 70

Zeneszerző
Tihanyi László
Eredeti / magyar cím
Fríz, Op. 70
Idegen nyelvű / angol cím
Frieze , Op. 70
Alcím
Brácsára és kamaraegyüttesre
A mű keletkezési éve
2015
Típus
Concerto
Előadói apparátus
vla. solo - fl., ob., cl., cl.b. - cor., trb. - perc. (1 esec.: 3 tam-tam, 5 ptto.sosp., 2 tmb.picc.s.c., 3 wood bl., manjira, from K to L anche pf. 4 hands) - pf. - strings: vl. 2, vl. 2, vlc., cb.
Időtartam
12 perc
Tételek, részek
One movement
Bemutató
3 May 2016, "60+40" Composer´s Evening of László Tihanyi and Balázs Horváth, Concert Hall, Budapest Music Center; Péter Bársony (vla.), THReNSeMBLe, László Tihanyi (cond.)
Kottakiadó / Forrás
Universal Music Publishing Editio Musica Budapest © 2016, T-34 and Z. 14998
Available here!
Hangfelvételek
2021 - Péter Bársony (vla.), Hungarian Radio Orchestra, László Tihanyi (cond.)
Megjegyzések, további info
"The title of the work refers to the ornament-like musical motifs of the solo part. These open the piece and later, during the elaboration of the form, they provide for building blocks. The composition, lasting approximately 12 minutes, includes 13 small formal sections. The first three of them serve as an introduction; the presentation of the solo viola, accompanied by percussion istruments, is broken by the interjection of the winds and the piano. The strings appear in Section 4, the first pure Tutti for the first time: the solo instrument is silent here. This is followed by two longer joint sections of the solo and the ensemble; in these a classical, responding-contrapuntal relationship comes to effect between soloist and ensemble players. Section 7 is the first cadenza of the viola, answered by the ensemble alone in Section 8. The next section is a sort of an "accompanied Toccata", featuring the rapid figurations of the solo instrument. Sections 10 and 12 are further viola cadenzas, with a Tutti between them, "accompanied" by the viola. In the concluding section musical ideas with farewell or coda-like character, played by the full ensemble, prevail."(László Tihanyi)